Tuesday, November 22, 2011

Cut and Paste




Last night, 
I made a collage for 
an art history class.
This morning,
I was cutting it to 
glue onto a bitácora,
a journal of notes and thoughts
used to track one's progress in 
some of the classes here.
---

as I cut it 
while listening to
a lecture about Frida Kahlo,
I noticed some of the pieces
I had glued on were 
falling
off. 

it 
was 
a little bit 
disappointing;
I mean, 
thinking of all that I had done 
to collect these images 
and cut them 
and rip them 
and glue them 
and move them
and re-glue them
and so on and so forth
I had 
considered 
borrowing glue
from someone
to put the pieces back on, 
but then I stopped.
----------
revealed
 to me
in 
that 
moment 
was the nature
of every
single
collage 
that 
have 
ever made.
. . .
yes,  
I can paste all of these 
little bits and pieces
 and segments of 
color and 
people and 
places and 
things,  
from 
newspapers, magazines,
photographs, 
whatever
they may be,
all together
into a
piece
of
art.

i can 
show it off 
and ponder it,
and value all of those 
possible subconscious meanings 
within those combined histories that it holds,
and when I am done observing it
I can store it in a book, that will act as a
guardian clam for this pearl I made, to open up 
when I remember it at some point in the future.

but every collage I have made has come unglued
at some point when I'm not looking, 
from right when I am gluing down
the each to piece the week it 
spends in a notebook,
to the years it spends
in another.

some pieces stick together more than others,
some fall off almost immediately
some rip, some tear 
some move around
when you aren't looking
into something else.

That is what is beautiful about collages
As much glue as I may put on the back of a magazine clipping,
it will only maintain that placement and color and unique location 
for the time I notice it.  
Eventually, all of the pieces start to fall off, blow into the wind,
get forgotten in the bottoms of backpacks and dust pans,
some held onto for a very long time. 

This is what studying abroad has been for me.
With 9 days left , I am beginning to see the family
and friends and places and habits I had pasted all around me 
flutter in the wind of time, to soon be released from this work that
I currently call my life and blow miles and years away to exist
somewhere that I am not and may be never will be. 

I am infinitely thankful
for my chance to be
placed within
these transient
collages of those
I have met, to be stored
back in the dusty file cabinets
of the memories of one's life, to 
dilapidate over time within the 
never ending abundance of
life time experiences. 

Thursday, November 10, 2011

El Proceso de Memoria


I went to my swimming class today.
Every thursday from eleven to twelve,
I swim back and forth

over and

over and


over and



over and







I start out by swimming eight front-stroke.
After that I usually do six breast-stroke.

And during the entire time,
I breathe in.
my head goes under.
I breathe out,
my head comes up.

And there is this constant rhythm of
in and out, up and down,
both in my self and my surroundings.
A constant cycle of
"how many laps do I have left?"
"am I at the half way point yet?"
"how many have I done?"
"I think I've got this rhythm and mindset figured out...."
"No, I don't."

and simultaneously
I sometimes think about people,
places and events from the past,
and I use it to push myself forward.

This is usually when I look under.

And then when I bring my head up, there is this sense of immediate existence,
a simpleness of purely being and moving through space.
A constant mix of memory and self-awareness.

In this normal rhythm of most strokes,
there is one that stands out to me:
the back-stroke.

I have been thinking about it a lot.
It is different than all of the others,
in that you are going backwards
in many different senses.

Your face is above the water,
you are completely drawn into the sky
as your entire body propels you forward through the water.

As you are going backwards the entire time, you are simultaneously moving forward.

This is the process of memory.

Every event we go through,
every face we see,
everything
that is stored in our memory is
as much a part of our past as it is our present,
one way or another.

They are behind us, but they drive us forward at the same time.

This constant cycle we go through in
interlacing and
collaging and
overlapping
our memories,

constantly moving forwards and backwards at the same time,
swimming in the present and looking into the sky of our minds
as we propel ourselves into the future.